It's a Triang DH 80, possibly dating from the late 1920s, although they were around for quite a while - there is a picture of one in my 1937/38 reproduction Triang catalogue.
This catalogue, which shows the whole range of toys made by Triang at that time, is very popular with visitors to Small Worlds, especially men. People are particularly delighted when I am able to point out the milk float that I owned when I was four years old
I have had my Triang 80 house for many, many years. It was probably one of the those that arrived soon after I advertised for a "large, old doll's house" (note spelling!) when Butterfly was four years old. It has long been on my list of things to do something with but somehow nothing ever happened to it.
Sadly, mine never looked like the beautiful one belonging to Eileen, which can be seen on the Dolls Houses Past and Present website. By the time I acquired it, all the windows and the shutters had vanished and someone had slung a coat of pale pink undercoat over the upper facade, and then given up on any further work. The porch had also collapsed and there was no front door. (The house standing next to it, by the way, is the one that later became That Old House in Paris)
I think the main reason I got nowhere with it for so long is because I had it in my head to turn it into a village pub plus b&b, complete with Gideon Bible in the bedside table (and a decent reading light - my pet peeve in b&bs is that they never seem to be run by people who read in bed!). In fact, there is a shoebox clearly labelled "Things for Triang pub) which contains a snooker table and various other pub-like accessories.
But somehow it never quite gelled as a pub and it stood around in my house in England for about thirty years, and then on display for the first year of Small Worlds, more or less untouched.
One day I was browsing pictures of some typical English houses and came across this one of a house in Essex, our adjacent county, and it reminded me strongly of the 80. I was still thinking in terms of a pub though.
Something else that has been around for a very long time is a bow window, 8 to 10 inches long, that used to hang on our living room wall as a display case for miniatures. The 80 and the window always went together in my head but I couldn't really see how to amalgamate them without cutting a chunk out of the front of the house itself.
Had I done that, I really wouldn't have been able to hold my head up in the dollshouse community!
Since the house was very visible in Small Worlds - it's large - Butterfly and I decided we needed to at least do something with the outside, even if I still wasn't quite sure how to deal with the interior. By 2014 I was beginning to think about a village shop/post office and a tearoom. And the logical step would then be to make the bow window part of the tearoom - the best seats would be there so that the village gossips could keep a beady eye on events in the street outside....
Still musing on how I could further this plan without vandalising the house, I painted the front white and, with Butterfly's help, created some "pargetting", by adding some Liden whitewood furniture embellishments to the patterned card she had run through her Big Shot.
I wonder if anyone remembers Liden? It was hugely popular in the fifties and sixties. You could create your very own classical French furniture by sticking bits of plastic onto plain wooden cabinets, painting the furniture white and picking the decorations out in gold
After painting and pargetting, we got on with tackling the gaping holes that were supposed to house windows. Basing our ideas on the house in Essex, I made some simple black frames and Butterfly fashioned some leaded lights.
Her work on what is now called The Essex House can be found part way through this blogpost.
Finally, during last summer, I decided it was time to bite the bullet and do something with the interior. The problem with working when the museum is open is that room is very limited (but watch this space!). Nevertheless I put the house on my small worktable and made a start.
Much to my surprise, from that point on, things went fairly quickly. I already knew what I was going to use for bedroom furniture - a set made up from a pink plastic bed and dressing table and a brown plastic wardrobe, all transformed a long time ago by the power of paint and used for years as a room setting in a breadbin.
For the bathroom I resorted yet again to my large stock of pink plastic bathrooms and all the equipment also got the benefit of repainting.
The central room upstairs was planned as a living room and I wanted two of my extensive collection of Raines Take a Seat chairs to feature prominently. There are many of these wonderful chairs, made of resin, (a terrible Czech word for me to pronounce - pryskyřice, I keep trying to soften the wrong r) scattered around the houses in Small Worlds. Most of the room, except the chairs which are a fairly new acquisition, had already existed in a small room box made of artists' foamboard.
A second reason for my reluctance to write about this house emerged at this point. I am not a purist when it comes to scale, working usually by eye, rather than by measurement. But in this case I have very deliberately, though reluctantly, broken all the rules of scale in a dolls house. The upstairs is 1/16th scale, because I wanted to use the yellow bedroom and the Raines chairs, downstairs, because I wanted to use the original Triang dresser in the kitchen, is 1/12th.
Shop fittings are also easier to come by in 1/12th scale and by now the central room, which had been going to be the tearoom, was scheduled to be the village shop.
This decision meant that, joy of joys, I could attach the bow window to the front and use the two central, unglazed windows as part of the shop display by putting shelves into them, thus avoiding any cutting of the front at all.
The end room became the tearoom. I usually distribute the furniture around the undecorated house so that I can decide on wallpaper and flooring. Once the decisions were made, I set about cutting stiff card to fit all the walls and then papering that, to slide in over what was left of the original Triang wallpaper. None of it was actually in very good condition anyway.
I struggled with the card cutting for the staircase. It's horribly narrow and I have big hands and a complete inability to reverse patterns which is deeply frustrating.
This house is inhabited - how else could one run a shop and tearoom? The couple who live here, however, are in their seventies and would desperately like to retire.
Sadly no one is interested in buying the shop and tearoom as a going concern and they have to plod on, despite their age and weariness.
I have no idea where they came from - I have a feeling they were in a job lot of furniture that I bought in a charity shop a couple of years ago. Maybe they will ring a bell with someone? They have great character, despite their rather small size. They are fine upstairs - the problems start when they try to work in the kitchen and shop.....
All in all, I was pleased with how this long delayed project worked out. It is now the first house that people are shown when they come into Small Worlds and their delight in it is a joy to see. I will end with a series of photos of both work in progress and the finished house.
|Getting ready to stock the shop|
|Liquorice Allsorts by Lynda - can she make anything smaller?|
|Aha! The Gideon Bible made it in the end......|
There are three blog posts brewing for the near future - two of them feature Christmas so you will have to wait a while but the first contains some exciting news for Small Worlds and I hope I will be able to post it very soon. Watch this space!
Thank you for being with me so far, it's lovely to see your comments and to know that you are enjoying Small Worlds almost as much as I do!
Addendum - as I said just above, comments are lovely, and often very useful. How could I not have thought of a size comparison for Lynda's Liquorice Allsorts? Here is one for the European readership - in £sd, euros and Czech korunni:
|Thank you Andrea!|